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      LEIPZIG WEEK IN BOSTON - J.S. BACH Christmas Oratorio in Boston


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      December 1, 2018

      Saturday   7:30 PM

      301 Massachusetts Avenue
      Boston, Massachusetts 02115

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      LEIPZIG WEEK IN BOSTON - J.S. BACH Christmas Oratorio


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      In 2017-18, his fourth season as the BSO's Ray and Maria Stata Music Director, Andris Nelsons leads the Boston Symphony Orchestra in twelve wide-ranging subscription programs at Symphony Hall, repeating three of them at New York's Carnegie Hall in March. Also this season, in November, he and the orchestra tour Japan together for the first time, playing concerts in Nagoya, Osaka, Kawasaki, and Tokyo. In addition, in February 2018 Maestro Nelsons becomes Gewandhauskapellmeister of the Gewandhausorchester Leipzig, in which capacity he will bring both orchestras together for a unique multi-dimensional alliance; under his direction, the BSO celebrates its first "Leipzig Week in Boston" that same month. In the summer of 2015, following his first season as music director, Andris Nelsons' contract with the Boston Symphony Orchestra was extended through the 2021-22 season. Following the 2015 Tanglewood season, he and the BSO undertook a twelve-concert, eight-city tour to major European capitals as well as the Lucerne, Salzburg, and Grafenegg festivals. A second European tour, to eight cities in Germany, Austria, and Luxembourg, took place in May 2016.

      The fifteenth music director in the history of the Boston Symphony Orchestra, Andris Nelsons made his BSO debut at Carnegie Hall in March 2011, his Tanglewood debut in July 2012, and his BSO subscription series debut in January 2013. His first CD with the BSO-live recordings of Wagner's Tannhäuser Overture and Sibelius's Symphony No. 2-was released in November 2014 on BSO Classics. April 2017 brought the release on BSO Classics of the four Brahms symphonies with Maestro Nelsons conducting, recorded live at Symphony Hall in November 2016. In an ongoing, multi-year collaboration with Deutsche Grammophon initiated in 2014-15, he and the BSO are making live recordings of Shostakovich's complete symphonies, the opera Lady Macbeth of Mtsensk, and other works by the composer. The first release in this series (the Symphony No. 10 and the Passacaglia from Lady Macbeth of Mtsensk) won the 2016 Grammy Award for Best Orchestral Performance and Gramophone Magazine's Orchestral Award. The second release (symphonies 5, 8, and 9, plus excerpts from Shostakovich's 1932 incidental music to Hamlet) won the 2017 Grammy for Best Orchestral Performance. Also for Deutsche Grammophon, Andris Nelsons is recording the Bruckner symphonies with the Gewandhausorchester Leipzig and the Beethoven symphonies with the Vienna Philharmonic.

      In 2017-18, Andris Nelsons is artist-in-residence at the Konzerthaus Dortmund and continues his regular collaboration with the Vienna Philharmonic, leading that orchestra on tour to China. He also maintains regular collaborations with the Royal Concertgebouw Orchestra of Amsterdam, the Berlin Philharmonic, the Bavarian Radio Symphony Orchestra, and the Philharmonia Orchestra. Maestro Nelsons has also been a regular guest at the Bayreuth Festival and at the Royal Opera House, Covent Garden, where he conducts a new David Alden production of Lohengrin this season.

      Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra before studying conducting. He was music director of the City of Birmingham Symphony Orchestra from 2008 to 2015, principal conductor of the Nordwestdeutsche Philharmonie in Herford, Germany, from 2006 to 2009, and music director of Latvian National Opera from 2003 to 2007. Mr. Nelsons is the subject of a 2013 DVD from Orfeo, a documentary film entitled "Andris Nelsons: Genius on Fire." View biography in full page >



      Equally at home on the concert and opera stages, Carolyn Sampson has enjoyed notable successes in the UK as well as throughout Europe and the US.

      On the opera stage her roles for English National Opera have included the title role in Semele and Pamina in The Magic Flute.  For Glyndebourne Festival Opera she sang various roles in Purcell's The Fairy Queen, now released on DVD.  In 2012 she sang Anne Truelove The Rake's Progress in Sir David McVicar's new production for Scottish Opera.  Internationally she has appeared at Opéra de Paris, Opéra de Lille, Opéra de Montpellier and Opéra National du Rhin. She also sang the title role in Lully's Psych��for the Boston Early Music Festival, which was released on CD and was subsequently nominated for a Grammy in 2008.  In the 16/17 season she debuts the role of Mélisande Pelléas and Mélisande  for Scottish Opera.

      Carolyn Sampson's numerous concert engagements in the UK have included regular appearances at the BBC Proms and with orchestras including The Orchestra of the Age of Enlightenment, The English Concert, Bach Collegium Japan, Britten Sinfonia and The Sixteen. She is a frequent guest with the Hallé and has performed with City of London Sinfonia, Scottish Chamber Orchestra, Royal Liverpool Philharmonic and City of Birmingham Symphony Orchestras.

      In Europe her many appearances have included concerts with Bergen Philharmonic, Royal Concertgebouw Orchestra, Freiburg Baroque Orchestra, Symphony Orchestra of the Bayerische Rundfunk, WDR Symphony Orchestra, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gürzenich Orchestra, Rotterdam Philharmonic, Leipzig Gewandhaus Orchestra,  Vienna Symphony Orchestra and the Salzburg Mozarteum Orchestra.

      In the US Carolyn Sampson has featured as soloist with San Francisco Symphony, Boston Symphony, Detroit Symphony, St Paul Chamber Orchestra and is a regular guest at the Mostly Mozart Festival.  In October 2013 she made her Carnegie Hall recital debut to a sold-out audience in the Weill Recital Hall.

      Carolyn works with conductors such as Sir Mark Elder, Markus Stenz, Ivor Bolton, Philippe Herreweghe, Harry Bicket, Trevor Pinnock, Riccardo Chailly, Louis Langrée, Harry Christophers, Robert King and William Christie.

      A consummate recitalist, Carolyn Sampson appears regularly at the Wigmore Hall where a recital of lute songs with Matthew Wadsworth was recorded on the Wigmore Live label and released to huge critical acclaim. She has given regular recitals at the Saintes and Aldeburgh Festivals as well as the Amsterdam Concertgebouw.  In the 14/15 season Carolyn was a "featured artist" at London's Wigmore Hall.

      Carolyn has built up a partnership with the pianist Joseph Middleton over recent years.  Her debut song recital disc, 'Fleurs', with Joseph was released early in 2015 featuring songs by composers from Purcell to Britten, and was nominated in the solo vocal category of the Gramophone Awards. They recently released their second recital disc together, 'A Verlaine Songbook', exploring settings of the poetry of Paul Verlaine for BIS Records.

      Carolyn's Harmonia Mundi recording of Poulenc's Stabat Mater and Sept Répons de Ténèbres was awarded the Choc de l'Année Classica 2014. Other recordings include Mozart's Requiem with Bach Collegium Japan and her recording of Purcell songs for BIS which was selected as Editor's Choice in the December 2007 issue of Gramophone Magazine. Her many recordings for Hyperion with The King's Consort include a highly acclaimed CD of Mozart sacred music 'Exsultate jubilate' which was selected as BBC Music Magazine's "Record of the Month" and was also the recipient of an ECHO Award.  She recorded a highly-acclaimed CD of Stravinsky's Les Noces and Mass for Harmonia Mundi and Bach's Christmas Oratorio with the Leipzig Gewandhaus Orchestra and Riccardo Chailly for the Decca label.

      Her recent recording with Ex Cathedra on the Hyperion label, 'A French Baroque Diva' - celebrating Marie Fel, a star soprano of Rameau's time won the recital award in the 2015 Gramophone Awards.

      Recent highlights include Carolyn's debut with Yannick Nézet-Séguin and the Philadelphia Orchestra, concert performances of Semele with Concerto Köln and Ivor Bolton, recordings and concerts with both Bach Collegium Japan and the Freiburg Baroque Orchestra, two BBC Prom 2016 performances (Mozart's Mass in C minor with BBC Scottish Symphony Orchestra under Ilan Volkov, and a duet programme with Iestyn Davies), a tour of Orlando (Dorinda) with the English Concert, concerts with the Rotterdam Philharmonic, Orchestre des Champs-Élysées, as well as further recording plans and recitals with Joseph Middleton and Matt Wadsworth including the Lincoln Centre New York, San Francisco, Wigmore Hall, and Japan. View biography in full page >

      View biography in full page >

      View biography in full page >

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